Book Moments
Gaston Leroux's Phantom of the Opera moments
Hardly breathing, he went up to the dressing-room and, with his ear to the door to catch her reply, prepared to knock. But his hand dropped. He had heard A MAN'S VOICE in the dressing-room, saying, in a curiously masterful tone:
"Christine, you must love me!"
And Christine's voice, infinitely sad and trembling, as though accompanied by tears, replied:
"How can you talk like that? WHEN I SING ONLY FOR YOU!"
Raoul leaned against the panel to ease his pain. His heart, which had seemed gone for ever, returned to his breast and was throbbing loudly. The whole passage echoed with its beating and Raoul's ears were deafened. Surely, if his heart continued to make such a noise, they would hear it inside, they would open the door and the young man would be turned away in disgrace. What a position for a Chagny! To be caught listening behind a door! He took his heart in his two hands to make it stop.
The man's voice spoke again: "Are you very tired?"
"Oh, to-night I gave you my soul and I am dead!" Christine replied.
"Your soul is a beautiful thing, child," replied the grave man's voice, "and I thank you. No emperor ever received so fair a gift. THE ANGELS WEPT TONIGHT."
Chaper II The New Margarita
At first, he thought he must be mistaken. To begin with, he was persuaded that, if any one was to be pitied, it was he, Raoul. It would have been quite natural if she had said, "Poor Raoul," after what had happened between them. But, shaking her head, she repeated: "Poor Erik!"
What had this Erik to do with Christine's sighs and why was she pitying Erik when Raoul was so unhappy?
Christine began to write, deliberately, calmly and so placidly that Raoul, who was still trembling from the effects of the tragedy that separated them, was painfully impressed.
"What coolness!" he said to himself.
She wrote on, filling two, three, four sheets. Suddenly, she raised her head and hid the sheets in her bodice....She seemed to be listening... Raoul also listened... Whence came that strange sound, that distant rhythm?...A faint singing seemed to issue from the walls...yes, it was as though the walls themselves were singing!...The song became plainer ...the words were now distinguishable...he heard a voice, a very beautiful, very soft, very captivating voice...but, for all its softness, it remained a male voice...The voice came nearer and nearer...it came through the wall...it approached ...and now the voice was IN THE ROOM, in front of Christine. Christine rose and addressed the voice, as though speaking to some one:
"Here I am, Erik," she said. "I am ready. But you are late."
Raoul, peeping from behind the curtain, could not believe his eyes, which showed him nothing. Christine's face lit up. A smile of happiness appeared upon her bloodless lips, a smile like that of sick people when they receive the first hope of recovery.
The voice without a body went on singing; and certainly Raoul had never in his life heard anything more absolutely and heroically sweet, more gloriously insidious, more delicate, more powerful, in short, more irresistibly triumphant. He listened to it in a fever and he now began to understand how Christine Daae was able to appear one evening, before the stupefied audience, with accents of a beauty hitherto unknown, of a superhuman exaltation, while doubtless still under the influence of the mysterious and invisible master.
The voice was singing the Wedding-night Song from Romeo and Juliet. Raoul saw Christine stretch out her arms to the voice as she had done, in Perros churchyard, to the invisible violin playing The Resurrection of Lazarus. And nothing could describe the passion with which the voice sang:
"Fate links thee to me for ever and a day!"
The strains went through Raoul's heart. Struggling against the charm that seemed to deprive him of all his will and all his energy and of almost all his lucidity at the moment when he needed them most, he succeeded in drawing back the curtain that hid him and he walked to where Christine stood. She herself was moving to the back of the room, the whole wall of which was occupied by a great mirror that reflected her image, but not his, for he was just behind her and entirely covered by her.
"Fate links thee to me for ever and a day!"
Christine walked toward her image in the glass and the image came toward her. The two Christines--the real one and the reflection-- ended by touching; and Raoul put out his arms to clasp the two in one embrace. But, by a sort of dazzling miracle that sent him staggering, Raoul was suddenly flung back, while an icy blast swept over his face; he saw, not two, but four, eight, twenty Christines spinning round him, laughing at him and fleeing so swiftly that he could not touch one of them. At last, everything stood still again; and he saw himself in the glass. But Christine had disappeared.
He rushed up to the glass. He struck at the walls. Nobody! And meanwhile the room still echoed with a distant passionate singing:
"Fate links thee to me for ever and a day!"
Which way, which way had Christine gone?...Which way would she return?...
Would she return? Alas, had she not declared to him that everything was finished? And was the voice not repeating:
"Fate links thee to me for ever and a day!"
To me? To whom?
Chaper IX At the Masked Ball
"I saw your ecstasy AT THE SOUND OF THE VOICE, Christine: the voice that came from the wall or the next room to yours...yes, YOUR ECSTASY! And that is what makes me alarmed on your behalf. You are under a very dangerous spell. And yet it seems that you are aware of the imposture, because you say to-day THAT THERE IS NO ANGEL OF MUSIC! In that case, Christine, why did you follow him that time? Why did you stand up, with radiant features, as though you were really hearing angels?...Ah, it is a very dangerous voice, Christine, for I myself, when I heard it, was so much fascinated by it that you vanished before my eyes without my seeing which way you passed! Christine, Christine, in the name of Heaven, in the name of your father who is in Heaven now and who loved you so dearly and who loved me too, Christine, tell us, tell your benefactress and me, to whom does that voice belong? If you do, we will save you in spite of yourself. Come, Christine, the name of the man! The name of the man who had the audacity to put a ring on your finger!"
"M. de Chagny," the girl declared coldly, "you shall never know!"
Thereupon, seeing the hostility with which her ward had addressed the viscount, Mamma Valerius suddenly took Christine's part.
"And, if she does love that man, Monsieur le Vicomte, even then it is no business of yours!"
"Alas, madame," Raoul humbly replied, unable to restrain his tears, "alas, I believe that Christine really does love him!...But it is not only that which drives me to despair; for what I am not certain of, madame, is that the man whom Christine loves is worthy of her love!"
"It is for me to be the judge of that, monsieur!" said Christine, looking Raoul angrily in the face.
"When a man," continued Raoul, "adopts such romantic methods to entice a young girl's affections. .."
"The man must be either a villain, or the girl a fool: is that it?"
"Christine!"
"Raoul, why do you condemn a man whom you have never seen, whom no one knows and about whom you yourself know nothing?"
Chaper X Forget the Name of the Man's Voice
"Does he love you so much?"
"He would commit murder for me."
"But one can find out where he lives. One can go in search of him. Now that we know that Erik is not a ghost, one can speak to him and force him to answer!"
Christine shook her head.
"No, no! There is nothing to be done with Erik except to run away!"
"Then why, when you were able to run away, did you go back to him?"
"Because I had to. And you will understand that when I tell you how I left him."
"Oh, I hate him!" cried Raoul. "And you, Christine, tell me, do you hate him too?"
"No," said Christine simply.
"No, of course not....Why, you love him! Your fear, your terror, all of that is just love and love of the most exquisite kind, the kind which people do not admit even to themselves," said Raoul bitterly. "The kind that gives you a thrill, when you think of it. ... Picture it: a man who lives in a palace underground!" And he gave a leer.
"Then you want me to go back there?" said the young girl cruelly. "Take care, Raoul; I have told you: I should never return!"
Chaper XII Apollo's Lyre
"You're afraid. But do you love me? If Erik were handsome, would you love me, Christine?"
"Unhappy man! Why do you tempt destiny? Why do you ask me about things that I hide deep in my conscience the way I would hide a sin."
She got to her feet and trembling, put her lovely arms around the young man, saying "Oh, my fiance of a single day, if I did not love you, I would not give you my lips. For the first and last time, take them."
Chaper XII Apollo's Lyre
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